Radio Times articles, from 2003-2005
Escape-proof???
Sounds Familiar
The Hounding of the Royals
Disgusted of Tunbridge
Wells?
The Mystery of the Stones
Going Loco
Troy
Pedal Power
Dentures
Obesity
Genius Sperm
Ultimation
Sandals, Slaughter and Sex
Greased Lightning
Flying Saucers
Aztecs
Venus
The Stuarts
The Ascent of Man
Test-tube Tantrums
RT Mastermind
Medical Marvels
Engineering Triumphs
Eccentricity
Surreal Estate
Offshore Wind Farms
Nothing to Loos
Groovy
A Bridge Too Far
Flogging a Dead Horse
Worst Jobs
Asteroid Alert
Eureka Years
Crash
Inspired
The Man Who Missed Dinosaurs
The Sagger-maker's Bottom-knocker
The Master
Naming Nature
Albert Einstein
Environmental Scariness
Geronimo!
Ancient Plastic Surgery
The Ancients
Gold in Them Thar Banks and
Braes
Animal Magnetism
Egyptians
Technophilia
HIGNFY
Panem et Circenses
Tambora
That Spotty Old Sun
Telling Stories
Beethoven's Hair
A Blind Eye
Comets
Medrocks
Other articles
Thomas Crapper
Thunder, Flush and Thomas Crapper, 1997
The
birth of the bike
Eureekaaargh!, 1999
Romans were streets ahead
Daily Telegraph, November 2000
The Pioneers who Invented Progress
Daily Telegraph,
August 2001
A tough mistake
Chemistry Review, September 2001
At home and school in 1952
The Times, June 2002
Newton and the rotten apple
Daily Telegraph, 11 September
2002
World Toilet Day
Daily
Telegraph, 19 November 2004
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I joined Yorkshire
Television in 1977 as a researcher for Magnus Pyke in the series
Don't Ask Me. The first item I set up in the studio was about banana
skins – and my life has not changed much since. Magnus did not become a tv
star until he was well
into his seventies, and although in action he waved his arms
prodigiously he was skilled at harbouring his energy. The moment he had
finished an item he retired behind a curtain, sank into a deep chair,
and fell into a deep sleep until he was needed again. This impressed me
enormously, for the tv studio is both noisy and exciting. I usually had
difficulty sleeping after the show because of all the adrenalin, but
Magnus could ignore that and snooze away contentedly.
I did not
consciously take lessons from Magnus, but I did learn that animation and
shock tactics can be effective. Sent to research a programme in Houston
Texas, I found everyone in cowboy gear, because it was Go Texan Week. So
I went into Stelzig’s Western Store and bought cowboy boots, jeans,
fancy shirt, and a fine brown Stetson hat. Back in Leeds, my Stetson
provoked some surprise, and even a dispute: one of the unions said that
it did not show sufficient respect for studio discipline. I promised I
would speak to it severely.
After
that I resolved never to take myself too seriously, and to wear clothes
as colourful as possible. Reprimanded recently by the navy on my
footwear, I now often display port and starboard socks – red on the left
and green on the right. And I have come to the conclusion that to have
both shoes the same colour is a sad waste of opportunity…
Am I
eccentric? Certainly not, although sometimes it seems that everyone else
in the world is slightly out of step – or maybe eccentricity is endemic
in the media. One of my producers, somewhat irascible, had a terrible
argument with the station master in Milan. As we finally pulled away he
shouted out of the window 'If I ever meet a stupider man than you, I'll
write and let you know.' Five years later, after a shouting match with a
traffic warden in Bermondsey, he drove furiously off yelling what he
seemed to think was a shocking insult: 'The station master in Milan will
be glad to hear about you!'
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